Just A Peck 0070 // Election, Glasses, Theater

Just A Peck

Welcome to the latest issue of Just A Peck. I’m glad you’re here!


JOURNAL

This week, we voted. It was the second-highest turnout rate in a midterm year since 1914. (Only the 2018 midterms had a higher participation rate.) A groundswell of voters sick of corruption and war resulted in a Democratic landslide, crushing the efforts of candidates bankrolled with obscene mountains of billionaire cash, campaign messages of hateful rhetoric, extreme gerrymandering, and voter suppression. Both the House and Senate, along with multiple governorships and state offices, were flipped. It’s weird to feel a tiny glimmer of hope after so many years of darkness.

Jody and me wearing I Voted stickers in front of a #DuluthVotes backdrop

On Sunday, Jody and I went to see Mr. Burns, A Post-Electric Play at UW-Superior along with some of the cast from my 2023 production. The UWS production moved locations between acts, starting in the black box theater, moving to the scene shop for Act Two, and then ending in the Manion for Act Three.

Holding the program for UW-Superior's Mr. Burns, A Post-Electric Play in the black box theater, with a campfire and old couch set behind it
Me with cast members from my 2023 production of Mr. Burns beside the show poster outside the Manion Theatre

I picked up a new pair of glasses on Tuesday. My vision is still pretty good. I use cheaters for reading, and I have a pair of computer glasses that I use for work, but other than that, this pair of glasses (for distance correction) is the first real prescription I’ve ever had. They aren’t required, but there’s a noticeable difference when — for example — watching theater.

A selfie of me in my new half-rim distance glasses

On Friday, we drove down to Spring Green with our awesome friends, Jason and Louisa, to see the APT shoulder show, Witch. A killer cast: Colleen Madden, Nate Burger, Casey Hoekstra, Triney Sandoval, Samantha Newcomb, and Trevyn Wong.

A lantern-lit path at night leading to APT's Touchstone Theatre
Holding the Witch program in front of the Touchstone Theatre stage, with its weathered curved colonnade set

We drove back on Saturday, stopping at the Guthrie to catch a matinee of Kunene and the King.

The red Guthrie Theater sign under a bright blue sky, with the Gold Medal Flour sign behind it
Holding the Kunene and the King program above the red seats of the Guthrie's proscenium stage
Jody, Jason, Louisa, and me grinning in an escalator mirror selfie at the Guthrie
Jody, Jason, Louisa, and me making another attempt at an escalator mirror selfie

WHAT I WATCHED THIS WEEK

You, the Living poster: a man in suspenders carrying a sousaphone floats in the sky above a line of bombers
You, the Living (2007). The Roy Andersson collection on the Criterion Channel finally enabled me to complete the Living Trilogy (Quadrilogy?). Even though You, the Living is probably the weakest of the bunch, Andersson's singular melancholy, humorous, desaturated, static, stand-alone, one-shot tableaus are still a marvel. I love these movies.

WHAT I READ THIS WEEK

Finished Plays:


In Progress:


Purchased:


MEMORIES

20 years ago — Alex’s LEGO League team took home both the Champion’s Award and 1st Place at Regionals!

Alex's Spooner Tech Team in maroon hoodies showing off their Champion's Award and Robot Performance 1st Place certificates


WHAT I'M EXCITED ABOUT

Urinetown opens this week at Zeitgeist with a great cast and a killer creative team (including Kaylee as the stage manager). It’s going to be pee-tastic! Get those tickets!

Zeitgeist's Urinetown poster: a halftone toilet on a yellow background, Nov 12–21
Urinetown creative team: Robert Lee (director and set designer), Kaylee Peck (stage manager), and Beth Brophy (music director)

Next week, I’m heading to New York to visit Spencer and catch a few shows. Hooray!

A cowboy squinting in disbelief at a jar of salsa in the classic "New York City?!" commercial

MY FAVORITE QUOTE OF THE WEEK

“Everybody might prefer, in the abstract, a world of dinner parties, neighborhood friendships, and spontaneous gatherings. But on any given Wednesday at 7:45pm., it is easier to look at a screen than to host a party; easier to listen to a podcast while doing yoga than to plan a gathering. This is not so much an individual failure as a coordination failure. Modernity has shifted leisure from activities that require coordination with other people toward activities that can be consumed without the permission or participation of others. Compared to TikTok, a dinner party is a terrible leisure technology. It requires matching schedules, cleaning the house, buying food, accommodating children and allergies, tolerating awkwardness, and taking the risk that the evening is mediocre. By contrast, what does television ask of us? Nothing. TikTok? Even less. We keep creating opportunities for downtime that eliminate the need for other people to be present. Not all progress is progress.”

— Derek Thompson


That’s it for this week. Stay safe, friends. Thanks for reading!

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